Frank and Jane Go To The Gallery

Remember Frank and Jane? They got to go to Art Works for a gallery show last night!

Last night I had the distinct pleasure of attending the Fourth Friday gallery opening reception at Art Works gallery. My friend Carolyn, who is a muralist and polymer clay artist, has a studio in the gallery and she invited me to set up a small display in her studio for the opening last night.

Not having done a show of any kind in months, I was really looking for an opportunity to revamp my display and try out a few new things I had in mind. My work has been evolving steadily since I started selling it about three years ago. I think it's really getting to a place where I feel like it is truly an expression of my skill and talent and vision, instead of an attempt to co-opt someone else's 'thing' and make it my own. Granted, there's really nothing completely new under the sun, but I really think most of my recent work has had more of a stamp of ME on it than anything else.

I'm defining my media, for one thing.

I adore copper. Truly I do, almost as much as glass, as a medium, and I have also discovered I love manipulating metal. Well, duh! What with all the pounding and shaping and mangling of sheets of copper and brass....one would hope I love it!

Etching has also become a new thing for me, and I am finding ways to use that process to bring out my own vision in the work I make.

So....copper, glass, etching, metalsmithing...yep. Now I just needed to find a beautiful and enticing way to display it all.

Remember those vintage suitcases I bought at an estate sale a while back? Got those. Also a mannequin hand, Frank and Jane, some basic necklace stands, a pillow I made for my couch, and some wooden cigar boxes. Much finagling and fiddling later, here is what I had:

In the background is one of Carolyn's murals, on the back wall of her studio. She's fantastic, and last night showed me once again how crucial it is for me to have like-minded artist friends that I can hang out with. It was fun to be in the studio with her, drinking some champagne (one glass each -- we're lightweights -- but the cream puffs? We put a hurtin' on those) and talking about pretty much everything under the sun.

Oh, there's Jane. She was hiding behind a lamp, and pointing out the hollow-bead necklace, 'Roman Holiday'. Carolyn's dad is a blacksmith, and he made that gorgeous lamp, by the way.

The picture quality is not the best, because I had to use the flash or else they were too dark. Sorry about that. I did love hanging my bangle and cuff bracelets off the edge of the train case, though, and standing the earring cards up in the cigar box was MUCH nicer than using my usual oak earring rack. All in all, I really like the direction i am taking with display stuff, so hopefully by the time my next 'real' show rolls around, I will have something really nice all worked up.

I have to confess: I made about five bucks last night, but the greater riches were gained in spending a couple of hours with a friend. Thanks, Carolyn!

Fairy Tale Blog Hop!!

I know, I know....I'm late to the party. *hides*

I received such an amazing stash from my partner, Tara Plote, of Newbie Beader, and I was able to make three pieces with the beads she sent. ALL of the beads were 'challenge' beads for me, as I don't really "do" shiny or sparkly or precious. *grin*

I was stumped for a long time as to what I should make....I kept thinking silver was the only metal I could use, because the beads were so light in color and more dainty than what I typically use. Also, I am completely out of silver (what with it being so costly), but then it hit me! I can use my old favorite copper and make some gorgeous things with an unexpected bead and metal combination. So, here is what I made...

For The Faerie Queen

Night Garden

A Midsummer Night's Dream

I feel like I made some successful pieces, and I really like the way they came out for several reasons: One, since I NEVER use any kind of faceted, sparkly bead, much less one with an aurora borealis coating, I was pleased with how easily I could integrate them with my 'signature' metal, copper. I'd never really considered the more dainty, sparkly look with earthy copper. Another thing I like is my use of fiber in the Midsummer bracelet. I have not really used ribbons in any of my work, much for the same reasons as I didn't use "sparkly". But I really like the eclectic look of that bangle and how the beads and charms mingle with the ribbons and the forged copper bangle.

You'll have to check out Tara's page for what she made with the beads I sent her....but she has broken a finger on her dominant hand, so it may be a few more days before she can get her creations done. I hope you enjoy the rest of the hop, though. See below for links!

Lori Anderson, Pretty Things

Rebecca Anderson, Song Beads

Courtney Breul, Beads By Breul

Loretta Carstensen, Designs by Loretta

Evelyn Hall, Dragon Lady Evelyn

Sandy Richardson, Sandy's Coloring Box

Dana James, Dana's Jewelry Design

Tara Plote, Newbie Beader (My partner!)

Christine Brandel, A Hot Piece of Glass (You are here!)

Lisa Sittniewski, Alterity Art

Joanna Matuszczyk, Filcowe

Jenni Connolly, Jenni Bead

Geneva Collins, Torque Story

Elisabeth Auld, Beads For Busy Gals

Sally Russick, Wireworked

Mary McGraw, MK's Creative Musings

Norma Turvey, Moonlit Fantaseas

Erin Prais-Hintz, Treasures Found

Stephanie Haussler, Pixybug Designs

Shai Williams, Shaia's Ramblings

Johanna Rhodes, Fire Phoenix Creations

Sandi Lee James, Do Be Do Bead Do

Sweet Addy Designs

Valerie Norton, Hot Fused Glass

Memorial Day Metalsmithing!

Some of you know of my love for medieval history, and the fact that I participate with theSociety for Creative Anachronism periodically. Memorial Day weekend in my local group means it's time for a Gem Joust event -- a large tournament held over the three days of the holiday weekend. Every year, my friend Don Downie, who is a silversmith and goldsmith, makes the tournament prizes, and delivers them to Richmond directly to the tournament. He usually stays with us over the weekend, and for the last few years, this has resulted in metalsmithing lessons for me.

Last year, I mentioned I wanted to learn to forge a copper bowl, so he told me what tools and supplies to buy and taught me to saw, hammer, shape and anneal. We used 16ga copper sheet, and it was a bear to hammer, even after annealing. I didn't get nearly as far as I hoped, and the bowl is still not finished. I love it, though, because it was my first.

My first copper bowl, May 2010

This year, I had been talking to him about soldering, but I still wanted to work on my copper-forming skills. We went to the tournament on Saturday, and hung out with people, schmoozed, chatted and had quite a few laughs with people I don't see often enough. Right before the prizes were awarded to the winners of the tournament, I photographed them for him. These are silver with rose gold accents and set stones -- a ruby and a sapphire. They are solid and heavy and beautiful!

Aren't they fantastic? Don's work is really amazing. And, he's a great teacher and wonderful friend.

Sunday, after we dragged ourselves out of bed, had breakfast and generally woke up, Don and I talked about raising and sinking and the things he had been teaching other people lately.

With an 18ga copper disk and a homemade dishing "stump" and a couple of hammers, he taught me to do this:

I'm hammering a raised design into the bottom of the bowl, so it has several more cycles of hammering and annealing before it's done. My arm is tired! It's really physical work, and I love it. The design will be a spiral tree, a motif that is really prevalent in most of my work already. I'll definitely post more pictures when I'm done.

In addition to the actual teaching Don provided, he also gave me my very own portable dishing 'stump' and wooden forming stake.

A landscape timber cut to about two feet and drilled deeply with a paddle bit becomes the stump where you begin to raise the bowl.

A deck finial, drilled, becomes a forming stake.

And you can conveniently screw the stake to the stump to make working easier and to keep things together.

Needless to say, this, and learning the technique of hammering a raised design to sheet metal has set my creative fires burning. I think some quality time with the sketchbook is in order.

And I need more hammers. And more sheet copper.

Experiments in the Workshop

This weekend I got some time to fool around in the workshop a little, playing with sheet copper and some discs I got in a few weeks ago. Inspired by an article in Art Jewelry Magazine, I tried out some foldforming and played around with heat patinas.

These will become earrings:

It's really hard to capture how really cool-looking the heat patina is on these....all shades of blue and purple and yellow...really, really cool. I wish I could tell you exactly how I did it, but really, heat patinas are fickle. I'm just happy they are similar enough to become earrings. They will be sealed with lacquer to keep the patina.

I also made this, a pendant. It was made out of a 2" copper disc, and the same foldforming and heat patina. It came out way better than I had imagined!
Again, really hard to capture the patina in a photograph. I haven't decided what the rest of this piece will look like yet.

I did some really outstanding etching on copper, too, but I didn't photograph that yet. Maybe in a few days. I need to make the beads for the necklace the etched piece will be, so I might just make you wait til I get that all done. :)

I hope everyone had a fantastic holiday weekend, if you were celebrating, and enjoy your week!

OOH! I almost forgot....I am looking to upgrade to a digital SLR camera....something not too terribly expensive, but that will handle macro photography as well as general-purpose family and landscape photography. Anybody got any opinions on this issue? Email me if you'd rather: ahotpieceofglass AT yahoo DOT com.